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It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.
The Met Fifth Avenue More than 1,400 objects on view in The Met Fifth Avenue allow visitors to trace the history of medieval and Byzantine Art, from their roots in Celtic and late Roman art to the sumptuous objects of late medieval courts and the ecclesiastical riches of Late Byzantium and its eastern neighbors.
Most recent at The Cloisters is the renovation of the Late Gothic Hall, completed in 2009, which included the conservation of windows from the Dominican monastery in Sens and the return to public view of a monumental tapestry from Burgos Cathedral. A Carolingian ivory, The Jaharis Lectionary, a Limoges plaque with angels, and a painted glass paten are among the masterworks added to the collection since 1999.
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Also on view is an array of ivories from the Gothic period, while luxury tableware and a rotating display of tapestries recall the world of late medieval aristocrats.
A gallery devoted to late medieval private devotion presents the celebrated Merode Triptych by the Netherlandish master Robert Campin.
The Late Gothic Hall exhibits many of the finest 15th- and 16th-century works in the collection, including sculptures by Tilman Riemenschneider and altarpieces from Spain.
While working in rural France before World War I, Barnard supplemented his income by locating and selling medieval sculpture and architectural fragments that had made their way into the hands of local landowners over several centuries of political and religious upheaval.
Barnard also served as a middleman between major Paris dealers and American clients.